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in reply to a message by Nanaea
It was meant to be more innocent than it sounded I guess *smiles*
I did not mean to sound as if I am terrible experienced in such matters, for that I am not.
I just wanted to point out how different women are portraited in poetic French movies compared to poetic scandinavian movies.
In French poetic movies women tend to be innocent but lethal to the men who meet them. Like fire which consumes in passion what it touches.
e.g Jules and Jim
In scandinavian poetic movies women tend to be gentle and kind.
Like sunshine which makes the small, but important things grow stronger and easier to believe in.
e.g. Det skallede spøgelse (the bald ghost)
I am of course speaking in general terms now, since examples of the opposite could be found among both French and Scandinavian poetic movies.
I did not mean to sound as if I am terrible experienced in such matters, for that I am not.
I just wanted to point out how different women are portraited in poetic French movies compared to poetic scandinavian movies.
In French poetic movies women tend to be innocent but lethal to the men who meet them. Like fire which consumes in passion what it touches.
e.g Jules and Jim
In scandinavian poetic movies women tend to be gentle and kind.
Like sunshine which makes the small, but important things grow stronger and easier to believe in.
e.g. Det skallede spøgelse (the bald ghost)
I am of course speaking in general terms now, since examples of the opposite could be found among both French and Scandinavian poetic movies.
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