Sondra Perry is an American visual artist. She is an interdisciplinary artist who works with video, computer-based media, installation, and performance. Perry's work investigates "blackness, black femininity, African American heritage" and the portrayal or representation of black people throughout history, focusing on how blackness influences technology and image making. Perry explores the duality of intelligence and seductiveness in the contexts of black family heritage, black history, and black femininity. "Perry is committed to net neutrality and ideas of collective production and action, using open source software to edit her work and leasing it digitally for use in galleries and classrooms, while also making all her videos available for free online. This principle of open access in Perry's practice aims to privilege black life, to democratize access to art and culture, and to offer a critical platform that differentiates itself from the portrayal of blackness in the media". For Perry, blackness is a technology which creates fissures in systems of surveillance and control and thus creates inefficiency as an opportunity for resistance.
Sondra Dee Radvanovsky is an American and Canadian soprano. Specializing in 19th-century Italian opera, Radvanovsky is widely regarded as a leading interpreter of bel canto, verismo, and works by Giuseppe Verdi. Her repertoire includes the title roles in Médée, Norma, Tosca, and Rusalka, Leonora in Il trovatore, Lady Macbeth in Macbeth, and Donizetti's "Tudor Queens": the title roles in Anna Bolena, Maria Stuarda, and Elizabeth I in Roberto Devereux.
I would find this name stunningly beautiful if it didn't sicken me and make me cringe like it does. I had an abusive "teacher" for five years and we called by her first name, which was, you guessed it- Sondra. "Mrs. Sondra." UGH! I hate that my lovely sister Sandra always gets mistaken for having this sadistic monstrosity of a name.
― Anonymous User 9/30/2014
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There is a character from the wonderful 1965 movie "A Thousand Clowns" credited as Sandra, but she pronounces it Sondra, and so this is how I have always imagined it spelled. She is a beautiful, exuberant woman described by the main character Murray as "a lover of things and of people" and that she should "have all the gratitude" she can that she is "capable of embarrassment and joy" and is "a marathon crier." As a result, I associate this lovely name with that movie and her attributes.
Sigh. This name is just plain ugly. It already sounds like the name of an obese middle-aged woman, and it's modern. Plus, it sounds like the name of a low-class, unpleasant middle-aged woman at that.
Wait, I guess if this name is pronounced ''SUNN-dra'', with a SHORT vowel sound in the first syllable, it sounds nice. However, if it's anything like ''SAAHN-dra'' in a nasal pronunciation, or, horror of all horrors, ''SAAWN-dra'', the name is plain hideous.
One of the main characters in the novel "An American Tragedy" by Theodor Dreiser is named "Sondra". I always much preferred this name to the far more common "Sandra", it makes you think more of the sun than the sand. It sounds special and pretty. It even looks better written down.