Rosewood98's Personal Name List

Old English name composed of the elements ælf "elf" and flæd, possibly meaning "beauty".

From the ancient name of Great Britain, which is said to have been inspired by the White Cliffs of Dover. The word is ultimately of Celtic origin (of which the meaning is not entirely certain), but it is etymologically related to Latin albus "white". This name has sometimes been regarded as a variant of Albin.

Latinized form of Ambrosios.

Feminine form of Aurelius.

Roman family name that was derived from Latin aureus meaning "golden, gilded". Marcus Aurelius was a 2nd-century Roman emperor and philosophical writer. This was also the name of several early saints.

From the name of the island paradise to which King Arthur was brought after his death. The name of this island is perhaps related to Welsh afal meaning "apple", a fruit that was often linked with paradise.

Possibly from cyrrid "bent, crooked" (a derivative of Old Welsh cwrr "corner") combined with ben "woman" or gwen "white, blessed". According to the medieval Welsh legend the Tale of Taliesin (recorded by Elis Gruffyd in the 16th century) this was the name of a sorceress who created a potion that would grant wisdom to her son Morfan. The potion was instead consumed by her servant Gwion Bach, who was subsequently reborn as the renowned bard Taliesin.

This name appears briefly in a poem in the Black Book of Carmarthen in the form Kyrridven [1] and in a poem in the Book of Taliesin in the form Kerrituen [2]. Some theories connect her to an otherwise unattested Celtic goddess of inspiration, and suppose her name is related to Welsh cerdd "poetry".

Form of Criseida used by Shakespeare in his play Troilus and Cressida (1602).

Form of Criseida used by the English poet Geoffrey Chaucer in his 14th-century epic poem Troilus and Criseyde.

Welsh form of Ambrose. Emrys Wledig (or Ambrosius Aurelianus) was a Romano-British military leader who fought against the invading Anglo-Saxons in the 5th century. Tales of his life were used by the 12th-century chronicler Geoffrey of Monmouth to help shape the early character of Merlin, whom he called Merlinus Ambrosius in Latin.

From the Norman French form of the Welsh name Gwenhwyfar meaning "white phantom", ultimately from the old Celtic roots *windos meaning "white" (modern Welsh gwen) and *sēbros meaning "phantom, magical being" [1]. In Arthurian legend she was the beautiful wife of King Arthur. According to the 12th-century chronicler Geoffrey of Monmouth, she was seduced by Mordred before the battle of Camlann, which led to the deaths of both Mordred and Arthur. According to the 12th-century French poet Chrétien de Troyes, she engaged in an adulterous affair with Sir Lancelot.

The Cornish form of this name, Jennifer, has become popular in the English-speaking world.

The origins of this name are uncertain, though some Celtic roots have been suggested. It is possible that the name is ultimately Germanic, from a hypothetical name like *Ishild, composed of the elements is "ice" and hilt "battle".

According to tales first recorded in Old French in the 12th century, Yseut or Ysolt was an Irish princess betrothed to King Mark of Cornwall. After accidentally drinking a love potion, she became the lover of his nephew Tristan. Their tragic story, which was set in the Arthurian world, was popular during the Middle Ages and the name became relatively common in England at that time. It was rare by the 19th century, though some interest was generated by Richard Wagner's opera Tristan und Isolde (1865).

German form of Iseult, appearing in the 13th-century German poem Tristan by Gottfried von Strassburg. In 1865 the German composer Richard Wagner debuted his popular opera Tristan und Isolde and also used the name for his first daughter.

Form of the Welsh name Myrddin used by Geoffrey of Monmouth in his 12th-century chronicle. Writing in Latin, he likely chose the form Merlinus over Merdinus in order to prevent associations with French merde "excrement".

Geoffrey based parts of Merlin's character on Myrddin Wyllt, a legendary madman and prophet who lived in the Caledonian Forest. Other parts of his life were based on that of the historical 5th-century Romano-British military leader Ambrosius Aurelianus (also known as Emrys Wledig). In Geoffrey's version of the tales and later embellishments Merlin is a magician and counselor for King Arthur.

Meaning unknown. In Arthurian legends this is the name of a sorceress, also known as the Lady of the Lake, Vivien, or Niniane. Various versions of the tales have Merlin falling in love with her and becoming imprisoned by her magic. She first appears in the medieval French Lancelot-Grail Cycle.

Meaning uncertain. According to the 12th-century chronicler Geoffrey of Monmouth, this was the name of a daughter of the Saxon chief Hengist. It is possible (but unsupported) that Geoffrey based it on the Old English elements hroð "fame" and wynn "joy", or alternatively on the Old Welsh elements ron "spear" and gwen "white". It was popularized by Walter Scott, who used it for a character in his novel Ivanhoe (1819).

Means "shining brow", derived from Welsh tal "brow, head" and iesin "shining, radiant". This was the name of a semi-legendary 6th-century Welsh poet and bard, supposedly the author of the collection of poems the Book of Taliesin. He appears briefly in the Welsh legend Culhwch and Olwen and the Second Branch of the Mabinogi. He is the central character in the Tale of Taliesin, a medieval legend recorded in the 16th century, which tells how Ceridwen's servant Gwion Bach was reborn to her as Taliesin; how he becomes the bard for Elffin; and how Taliesin defends Elffin from the machinations of the king Maelgwn Gwynedd.

Medieval English form of Tristan.

Latinized form of Greek Τρωΐλος (Troilos), from the Greek name of the city of Troy Τροία (Troia). In Greek legend this was a son of king Priam killed by Achilles. His story was greatly expanded by medieval European writers such as Boccaccio and Chaucer, who make him the lover of Criseida. Shakespeare based his play Troilus and Cressida (1602) on these tales.