In Britain the parallel form Alice, derived via Old French, has historically been more common than Adelaide, though this form did gain some currency in the 19th century due to the popularity of the German-born wife of King William IV, for whom the city of Adelaide in Australia was named in 1836.
The daughter of Zeus, she was said to have sprung from his head fully grown after he impregnated and swallowed her mother Metis. Athena is associated with the olive tree and the owl.
In England the name became rare after the Middle Ages, but it was revived in the 19th century, more commonly in the spelling Beatrice. Famous bearers include the British author and illustrator Beatrix Potter (1866-1943), the creator of Peter Rabbit, and Beatrix of the Netherlands (1938-), the former queen.
In the Middle Ages this name was common in England due to the popularity of medieval tales about the Trojan War. It subsequently became rare, but was revived in the 20th century.
The spelling was later altered to Cordelia when Geoffrey's story was adapted by others, including Edmund Spenser in his poem The Faerie Queene (1590) and Shakespeare in his tragedy King Lear (1606).
This name was fairly popular at the end of the 19th century and beginning of the 20th. The American author F. Scott Fitzgerald used it for the character of Daisy Buchanan in The Great Gatsby (1925). The Walt Disney cartoon character Daisy Duck was created in 1940 as the girlfriend of Donald Duck. It was at a low in popularity in the United States in the 1970s when it got a small boost from a character on the television series The Dukes of Hazzard in 1979.
It has only been commonly used as a given name since the 20th century, influenced by two plays featuring the character: William Butler Yeats' Deirdre (1907) and J. M. Synge's Deirdre of the Sorrows (1910).
As a given name, Diana has been regularly used since the Renaissance. It became more common in the English-speaking world following Walter Scott's novel Rob Roy (1817), which featured a character named Diana Vernon. It also appeared in George Meredith's novel Diana of the Crossways (1885). A notable bearer was the British royal Diana Spencer (1961-1997), the Princess of Wales.
Due to its favourable meaning, this name was popular among early Christians, being borne by many early saints and four popes. It has been used in England since the Middle Ages, though it has been more popular in continental Europe. A notable bearer was the German composer Felix Mendelssohn (1809-1847).
The Normans brought the name to England in the 11th century but it quickly died out. It was reintroduced by the German House of Hanover when they inherited the British throne in the 18th century. A famous bearer was Frederick Douglass (1818-1895), an American ex-slave who became a leading advocate of abolition.
The name was popular in France during the Middle Ages (the more common French form is Gisèle). Though it became known in the English-speaking world due to Adolphe Adam's ballet Giselle (1841), it was not regularly used until the 20th century.
This is the usual form of the name Elizabeth in Spain and Portugal, though elsewhere it is considered a parallel name, such as in France where it is used alongside Élisabeth. The name was borne by two Spanish ruling queens, including Isabel of Castile, who sponsored the explorations of Christopher Columbus.
Though long common as a Jewish name, Naomi was not typically used as an English Christian name until after the Protestant Reformation. A notable bearer is the British model Naomi Campbell (1970-).
As an English name it was not used until after the Protestant Reformation. It was utilized by George Eliot for the title character in her novel Silas Marner (1861).
In the New Testament Simon is the name of several characters, including the man who carried the cross for Jesus. Most importantly however it was borne by the leading apostle Simon, also known as Peter (a name given to him by Jesus).
Because of the apostle, this name has been common in the Christian world. In England it was popular during the Middle Ages, though it became more rare after the Protestant Reformation.
The sonnets of William Shakespeare, on the other hand, are typically three Sicilian quatrains, followed by an heroic couplet.