Milarqui's Personal Name List

Means "solitude" in Spanish. It is taken from the title of the Virgin Mary, María de la Soledad, meaning "Mary of Solitude".

Feminine form of Silvius. Rhea Silvia was the mother of Romulus and Remus, the founders of Rome. This was also the name of a 6th-century saint, the mother of the pope Gregory the Great. It has been a common name in Italy since the Middle Ages. It was introduced to England by Shakespeare, who used it for a character in his play The Two Gentlemen of Verona (1594). It is now more commonly spelled Sylvia in the English-speaking world.

Generally this can be considered to be from Latin rosa meaning "rose", though originally it may have come from the unrelated Germanic name Roza 2. This was the name of a 13th-century saint from Viterbo in Italy. In the English-speaking world it was first used in the 19th century. Famous bearers include the Polish-German revolutionary Rosa Luxemburg (1871-1919) and the American civil rights activist Rosa Parks (1913-2005).

Feminine form of Paulus (see Paul). This was the name of a 4th-century Roman saint who was a companion of Saint Jerome.

Spanish form of Paulus (see Paul). Spanish painter and sculptor Pablo Picasso (1881-1973) and Chilean poet Pablo Neruda (1904-1973) were famous bearers of this name.

Latinate form of Natalia (see Natalie).

Spanish, Portuguese and Galician form of Michael. A notable bearer of this name was Miguel de Cervantes Saavedra (1547-1616), the Spanish novelist and poet who wrote Don Quixote.

Means "mercies" (that is, the plural of mercy), from the Spanish title of the Virgin Mary, Nuestra Señora de las Mercedes, meaning "Our Lady of Mercies". It is ultimately from the Latin word merces meaning "wages, reward", which in Vulgar Latin acquired the meaning "favour, pity" [1].

Form of Martha used in various languages.

Spanish, Galician and Icelandic form of Maria.

In Spain this has been the most consistently popular name for girls since the 13th century. Over the last 100 years it has remained very popular, frequently ranked first and never out of the top 20. It is often part of a double name, sometimes referencing an aspect of the Virgin Mary, such as María Carmen or María Dolores. It is occasionally used as a masculine middle name (or as the second part of a masculine double name, such as José María).

Spanish and Portuguese form of Emmanuel. In the spelling Μανουήλ (Manouel) it was also used in the Byzantine Empire, notably by two emperors. It is possible this form of the name was transmitted to Spain and Portugal from Byzantium, since there were connections between the royal families (king Ferdinand III of Castile married Elisabeth of Hohenstaufen, who had Byzantine roots, and had a son named Manuel). The name has been used in Iberia since at least the 13th century and was borne by two kings of Portugal.

Spanish diminutive of Manuel.

Spanish form of Louis.

Feminine form of the Late Latin name Laurus, which meant "laurel". This meaning was favourable, since in ancient Rome the leaves of laurel trees were used to create victors' garlands. The name was borne by the 9th-century Spanish martyr Saint Laura, who was a nun thrown into a vat of molten lead by the Moors. It was also the name of the subject of poems by the 14th-century Italian poet Petrarch.

As an English name, Laura has been used since the 13th century. Famous bearers include Laura Secord (1775-1868), a Canadian heroine during the War of 1812, and Laura Ingalls Wilder (1867-1957), an American author who wrote the Little House on the Prairie series of novels.

Spanish form of Iohanna (see Joanna), making it the feminine form of Juan 1. This name was borne by Juana the Mad, a 16th-century queen of Castile.

Spanish and Manx form of Iohannes (see John). Like other forms of John in Europe, this name has been extremely popular in Spain since the late Middle Ages.

The name is borne by Don Juan, a character from Spanish legend who, after killing his lover's father, is dragged to hell by the father's ghost. The story was adapted into plays by Tirso de Molina (1630) and Molière (1665), an opera by Mozart (1787), and an epic poem by Byron (1824), among other works.

Spanish form of Xavier.

Means "immaculate" in Spanish. This name is given to commemorate the Immaculate Conception of the Virgin Mary.

From the medieval name Gundisalvus, which was the Latin form of a Germanic (possibly Visigothic or Suebi) name composed of gunda "war" and maybe salba "salve, ointment", salo "dark, dusky" or sal "house, hall" (with the spelling perhaps influenced by Latin salvus "safe"). Saint Gonzalo was an 11th-century bishop of Mondoñedo in Galicia, Spain.

Spanish and Portuguese form of Ferdinand.

Italian and Spanish form of Aemilius (see Emil).

Italian, Spanish, Portuguese, Catalan and Romanian form of Christina.

Medieval Spanish form of Carmel, appearing in the devotional title of the Virgin Mary Nuestra Señora del Carmen meaning "Our Lady of Mount Carmel". The spelling has been altered through association with the Latin word carmen meaning "song". This was the name of the main character in George Bizet's opera Carmen (1875).

Spanish and Portuguese form of Charles.

Means "Candlemas" in Spanish, ultimately derived from Spanish candela "candle". This name is given in honour of the church festival of Candlemas, which commemorates the presentation of Christ in the temple and the purification of the Virgin Mary.

Spanish and Italian form of Antonius (see Anthony). This has been a common name in Italy since the 14th century. In Spain it was the most popular name for boys in the 1950s and 60s.

Famous bearers include the Renaissance painter Antonio Pisanello (c. 1395-1455) and the Baroque composer Antonio Vivaldi (1678-1741). It is also the name of the main character in The Merchant of Venice (1596) by William Shakespeare.

Form of Anna used in various languages.

Spanish form of Alvarus, the Latinized form of a Visigothic name, possibly derived from the elements alls "all" and wars "aware, cautious" or wards "guard". Álvar Fáñez was an 11th-century military commander and duke of Toledo, who appears as a general of El Cid in the epic poem El Cantar de mio Cid. Verdi also used the name in his opera The Force of Destiny (1862).