SeverusJaners's Personal Name List

From an English surname that was derived from the medieval name Thierry, a Norman French form of Theodoric.

From the English word for the precious metal or the colour, ultimately derived from Old English seolfor.

Diminutive of Sarah.

Anglicized form of the Irish name Ruadhán. As an English name, it can also be derived from the surname Rowan, itself derived from the Irish given name. It could also be given in reference to the rowan tree, a word of Old Norse origin (coincidentally sharing the same Indo-European root meaning "red" with the Irish name).

From the Hebrew name נָעֳמִי (Naʿomi) meaning "my pleasantness", a derivative of נָעַם (naʿam) meaning "to be pleasant". In the Old Testament this is the name of the mother-in-law of Ruth. After the death of her husband and sons, she returned to Bethlehem with Ruth. There she declared that her name should be Mara because of her misfortune (see Ruth 1:20).

Though long common as a Jewish name, Naomi was not typically used as an English Christian name until after the Protestant Reformation. A notable bearer is the British model Naomi Campbell (1970-).

Variant of Fay.

Short form of names beginning with the Old English element æðele meaning "noble". It was coined in the 19th century, when many Old English names were revived. It was popularized by the novels The Newcomes (1855) by William Makepeace Thackeray and The Daisy Chain (1856) by C. M. Yonge. A famous bearer was American actress and singer Ethel Merman (1908-1984).

Anglicized form of Irish Deasmhumhain meaning "south Munster", referring to the region of Desmond in southern Ireland, formerly a kingdom. It can also come from the related surname (an Anglicized form of Ó Deasmhumhnaigh), which indicated a person who came from that region. A famous bearer is the South African archbishop and activist Desmond Tutu (1931-2021).

French form of Katherine, and also a common English variant.

In part this is a feminine form of Amandus. However, it was not used during the Middle Ages. In the 17th century it was recreated by authors and poets who based it directly on Latin amanda meaning "lovable, worthy of love". Notably, the playwright Colley Cibber used it for a character in his play Love's Last Shift (1696). It came into regular use during the 19th century.